Night Photography

I loaded a roll of Cinestill 800T on my Nikon FA and this happened…

I loaded a roll of CineStill 800t on my Nikon FA and this happened right in front of my eyes while I was enjoying my hot chocolate. 

This man came bolting across the window, I didn't quite catch why he was running away so quickly, then another guy bolted by shouting out aloud, telling people on the street to stop him. I thought I had missed the opportunity to capture something but the security guard came back around, clearly full of adrenaline, however, he had been successful in capturing the shoplifter and from the looks of it got the two bottles of whisky back in his possession. 

This film is rated ISO 800 and is a tungsten balanced colour negative film based on the gold standard motion picture technology used by the best cinematographers around the world. It is specifically designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks.

It goes without saying that… check your camera settings before you start shooting as this will give you the best chance of getting the desired outcomes you want. 

If this is your first time shooting, I would recommend setting your ISO to 800 and check the light conditions that you are in. Use your light meter to take an accurate measurement that you want to be coming out correctly, or photographically put, exposed for. 

If you’re reading this as a seasoned film photographer this goes without saying, however, I know often we can get caught up in the moment and forget the basics which can lead to disappointments. There’s no need to make schoolboy errors! 

Using a phone pocket light meter, in my experience, has been useful for general casual shooting, it has not been the most accurate.  For the best results I use a dedicated handheld light meter, the Sekonic L858D. 

The weather is changing! Therefore, it is another great opportunity to shoot in different climatic and weather conditions. Use the unsettled weather to take advantage of the elements. I love the reflections coming off the pavement in the foreground. Think about your local weather patterns, what could you use to create something special?  

Always take stock from those who have walked this path before. Joel Meyerowitz encourages everyone to own the street. Public places are shared places and you have to be confident in what you are doing. By embracing the day you will capture the beauty of everything that surrounds you. 

How are you going to capture vibrant colours using CineStill 800T? 

Understanding some basic elements of the film will help you to plan what you will capture. The T in Cinestill 800T refers to tungsten or tungsten balanced. Most films are daylight balanced (for example CineStill 50D- check out my last video on that next!) This means the colours we capture are similar to what we see with our eyes. 

Tungsten light however (measured at 3200K) is warm yellow-orange colour light rather than daylight which is measured at 5500K which should appear white. This would be the middle point between warm light and blue light.  

At the start and end of each day daylight is more of a blue light hence it is called blue hour. Cinestill 800T is repackaged Kodak Vision3 500T motion picture film (movie film). As with Cinestill the T in 500T relates to the fact that it is tungsten balanced. With this information in mind, before we go out to shoot, we need to have in mind what will help bring out the best in this film format. Now, where will we find this in abundance? I wonder… 

The beauty of shooting with 36 frames is that you can get 36 different shots! You can fire these off within a few seconds, depending on what camera you are using. A key element of great photography is planning and taking the time to think about what you want to capture. Being aware of what you are going to shoot, where you are going, what you may expect will allow you to prepare for capturing the perfect moment. 

We are all cipating ie taking things as they happen or come. However with a little bit of planning you can anticipate and future project what may happen and then capture the perfect shot. 

Are you a beginner film photographer? 

The main formats are 35mm, Medium Format and Large Format. 

35mm you will get the smallest frame and the large format will be considerably larger in film size. If you are looking to shoot as a hobby, start off by shooting with a cheap film camera which you can pick up for as little as £20 on ebay. 

Don’t splurge thousands of pounds buying equipment which will at some point stop working as in most cases parts will be hard to source. Unless you have a bottomless pit to draw on (get yourself a Leica!) then remember that any vintage camera with a good lens will get you the same results as the most expensive camera on the market. 

On a side note film stocks are also getting more expensive, even though popularity is increasing for this medium of photography. Pricing can range from as little as £5 a roll through £20 for a single roll of CineStill 800T on 35mm. With that in mind, adjust your entry so you enjoy the medium more than anything else! 

Always try something new with your photography. You don't have to stick to 800 ISO, why not play around by pushing or pulling the film. Or even mess about with it in post. If you are a hobbyist what do you have to lose by trying this film out in different situations and scenarios? 

You may have already shot with this film so let me know what your thoughts are about it, how have you got on with it in 35mm or medium format? 

What do you recommend shooting with or how to use this film for projects! Check out my last video on CineStill 50D here, see you there! 

You can grab a copy of the book here: https://amzn.to/3ryUxVm

Blue Hour Night Shoot With Kodak Portra 800

In the first image, I'm looking up towards my subject. I've positioned her leaning slightly against the handrail with her left hand and knee leaning towards the camera. This gives the impression of the importance of the subject, as well as creating a little drama with the large building in the background. When coming out to shoot with Portra 800, be sure to communicate to your model or subject how you want them to dress and style themselves so they fit in with the environment perfectly. Another way you can create variety in images is by getting your subject to move.

In this case, I got the model to move towards me. And that way you can capture something a little bit more different and give you a greater range in your portfolio that you are building. When you're out on the shoot, make sure that you know your equipment really, really well. In this case, you can see the focus come out absolutely brilliantly. I think the key thing with this is knowing how to use your equipment and knowing how to use it well.

I wasn't sure how this image was going to turn out. There was very low light here and I resorted to using off-camera flash modelling lamps to get some light on the model. This image has not been edited in post and has come out quite well, despite a slight muddy texture which fits in quite well with the feel of the shoot.

There was a slight blur in the image here, as the light was rapidly reducing. The Yashica Mat 124G only goes down to F3.5, so perhaps with a tripod and shutter release cable, this could be resolved. Even with Porta 800, it would be challenging to capture everything perfectly, and particularly on model-based shoots, time is very limited. Being prepared, but also being aware that sometimes you'll have to take risks when shooting film, will help disappointment afterwards.

Twilight had set in by the time I got around to shooting the next few images. In this unedited image, there is a strong yellow cast set by the modelling lamp. I think it works quite well with the red door in the background, the blue jeans and the white top. Think carefully about your colour palette in advance. Attention to minor details can pay dividends in outcomes.

In this set of images, you may have noticed a variety of different shots, from full body through to narrow top body shots. This was my first shoot with the Yashica Mat 124G under low light conditions with a model. Through shooting different setups, I've learned how to create some cool fashion-style shots with this twin reflex camera.

What was your favourite shot from this selection? Let me know in the comments below. How have you been getting on with Porta 800? Still not sure how to nail Porta 800? Then check the video below!